Dr. Meral Ekincioglu

Welcome to my page,

Trained as an architect, I am a scholar with a Ph.D. degree and my scholarly endeavor is based on problem-centered research in architecture. More specifically, I am a scholar in postwar architecture history and the subjects of my current academic study are politics of gender, multiculturalism, diversity and inclusion in my expertise field. In this respect, I conducted my advanced academic research project at the Massachusetts Institute of Technology, History, Theory and Criticism of Architecture Program for two years (1) after my Ph.D. degree in Architecture at Istanbul Technical University. My scholarly project brings into focus a critical insight into the politics of gender in institutional policies, academia, the profession, education, history and history-writing, and examines cross-cultural relations and transnational (design) practice in postwar architecture. Following my productive research process at MIT, I am currently developing the manuscript for my book, and conducting my new research project to “unfold” hidden and silent voices of underrepresented communities in multicultural context of (the US) architecture (history) that is supported by participation of MIT, Harvard, Yale, Princeton, etc.

Based on my advanced academic and archival research during my studies at the MIT, HTC Program, I presented my scholarly project and findings at the MIT-HTC Program, the International Women in Architecture Symposium at Virginia Tech., the MIT-Women’s and Gender Studies Program Intellectual Forum Series, the Women’s Studies Speaker Series organized by Center for the Study of Women and Society at the CUNY-Graduate Center, Harvard University for a talk series organized by New England Turkish Student Association, the 71st Society of Architectural Historians (SAH) - Annual International Conference where I was awarded by a SAH Fellowship. In addition, I was a panelist at “A Convergence at the Confluence of Power, Identity and Design” organized by the Women in Design Group at the Harvard University, Graduate School of Design, and at “A Square and Half - The Colors, A Tribute by Ivaana Muse” at the MIT Museum. In my expertise field, I am an author and a contributor of two international publication projects on women architects (forthcoming 2021).

In order to stimulate critical awareness of gender and women in architecture (in its profession, practice, education, history and historiography), and to give an impetus for new collections in those fields, I created and developed the collection, "Women in Modern and Contemporary Territories of Turkish Architecture" at MIT. Conducted for Archnet, online source of MIT and named one of the top 20 architecture websites by the Global Grid in 2016 (2), this is the first project on documenting the leading figures of the first and the second generations of Turkish women architects as a digital collection, open to international scholars and based on my scholarly research, literature review and texts. In addition, I am a certificate holder by Consortium for Graduate Studies, Gender, Culture, Women & Sexuality (GCWS) at MIT.

In light of my expertise field in architecture, my aim is also to contribute to heated discussions on full citizenship in today’s academia and society through architecture history, theory and criticism. On this basis, I was one of the speakers at WikiConference North America (MIT, 2019), and will speak at the 51st NeMLA Annual Convention organized by Boston University. I am also a contributor of the first exhibition on Citizen Tales Commons at the Emerson College-New Urban Art Gallery.

As a special Turkish fellow, I began my Ph.D. dissertation research at the Harvard University, Aga Khan History of Art and Architecture, Ph.D. Program in 2006, conducted it for 10 months, and continued this advanced academic research at the Columbia University, Graduate School of Planning and Preservation, Ph.D. Program as a research scholar (2008-2009). Based on my dissertation research at Harvard and Columbia universities, I completed the first Ph.D. dissertation on the practice history of Tekeli-Sisa Architecture Partnership (1954, Istanbul-present) and obtained my Ph.D. degree in Architecture at Istanbul Technical University in 2011. My secondary academic fields are sociology, theory and the modern history of the architecture profession, modernization of architectural design practice, relationship between the design architect and the client, and their historical thresholds in postwar Turkey.

While conducting my Ph.D. dissertation research at Harvard and Columbia universities, I presented my two academic papers at "Media in Transition 5 and 6", two international conferences organized by the Massachusetts Institute of Technology, Comparative Media Studies in 2007 and in 2009. With my editorial background and scholarly formation, my academic papers discuss the historical progress of professional architectural journalism, its significant editors, their journalistic criticism, recent development in architectural media in Turkey and their impact on the built-environment in the country.

With my editorial and architectural background on modern Turkey along with my scholarly perspective, I also conducted an extensive project on "Arkitekt", the leading professional architectural journal published in modern Turkey (1931-1981) for Avery Index to Architectural Periodicals at Columbia University while conducting my Ph.D. dissertation research at that academic institution in 2008-2009. Entering 50 years of architectural data (1931-1981) from modern and contemporary Turkish architecture, editors, architectural historians, critics, practitioners, etc., my contribution to Avery Index to Architectural Periodical was to support scholarly research on alternative modern and contemporary architectural examples in relation to my native country and its unique architectural culture in between East and West.

In order to bring into focus the creative potential of diversity and multicultural perspective as related to immigrant architects and underrepresented communities in the U.S. architecture, I conducted two short documentary film projects in 2017 and in 2016. My most recent short documentary film project, “Unfolding the Turkish Chapter at Massachusetts Institute of Technology-Architecture” aims to indicate the lack of undocumented backgrounds of women and gender in the U.S. architecture education. My second short documentary film project elaborates the educational background and professional career of the first woman architect from the Princeton University, School of Architecture. Following my advanced academic research project at Massachusetts Institute of Technology, my descriptive text on this short documentary film was published by Architexx. This short documentary film was the top video among the video collection of Archnet, online source of Massachusetts Institute of Technology in June 2016. In addition, I conducted a short architectural film project on the MIT, non-denominational Chapel, a significant iconic architectural design by Eero Saarinen, a Finnish-American architect in postwar U.S. in the MIT campus’ postwar architecture. All of those short documentary and architectural films are based on my scholarly and archival research, text and were aired in the U.S. in 2016 and in 2017.*

I received my Bachelor and Master degrees in Architecture from Istanbul Technical University. Following my education, I maintained productive dialogs and collaboration with Turkish academia by promoting critical discussion platforms to re-evaluate existing curriculums and the academic agenda. In relation to my master thesis (1996), I took the first step with Prof. Dr. Safak Ural at the Department of Philosophy at Istanbul University to organize “Architecture and Philosophy I”, the first national symposium which offered a rich academic platform to discuss the influence of philosophy on architecture through the extensive participation of philosophers, professors and practitioners in Turkish architecture. Bringing together professors, scholars, critics in Turkish architecture and in the field of philosophy, I served as its organizing committee member and delivered my published presentation (2001). Considering its success and positive feedbacks, this first academic event turned into a national symposium series organized under various philosophy-architecture themes. Prior to Istanbul Technical University, I pursued my education at the Erenkoy Girls High School founded in Istanbul in 1911 and one of the oldest surviving girls' high schools in modern Turkey.

In Istanbul, I taught advanced architectural design studio and various courses related to the history, theory and discourse of 20th century modern and contemporary architecture and its practice at the Yeditepe University, Department of Architecture. Established in 1996, Yeditepe University is one of the well-known foundation universities in the Republic of Turkey. All courses by the Department of Architecture are offered in English and the university is a signatory to Student Exchange Protocols with over 30 universities in the United States.

In the end of the 1990s, I began to work as the architectural journalist and the editor in Istanbul. As the co-founding editor and the foreign affairs representative at the leading architectural journals of Turkey (Tasarim in 1996; Arredamento Mimarlik in 1999-2001; PORTFOLYO in 2002-2005), I established very nurturing and communicative dialog with academia, professionals and design practitioners in Turkish and world/global architecture. Having numerous published articles, interviews, translations, my 19 editorial monographs are available at leading academic libraries in the U.S., such as at the Avery Architectural and Fine Arts Library of Columbia University, the Frances Loeb Library of the Harvard University Graduate School of Design and the Rotch Library of Massachusetts Institute of Technology, Architecture & Planning. As the general publishing coordinator and architectural journalist, I always put my readers’ learning needs at the forefront of my investigative journalism through my highly informed research and writings. As a professional practitioner in architecture, I worked for various architectural offices and firms in Istanbul in the 1990s. In 1996, my graduation project was nominated as the award candidate at the Fifth National Architecture Awards organized by the Chamber of Architects of Turkey, and I partipated in the Fifth National Architecture Awards Exhibition with this project.

I am the member of the Middle East Studies Association (2017-present), Society of Architectural Historian (2017-present), the friend of Boston Society of Architects (2015-present), Society of American Archivist (2018-present), the honorary member of the World Architecture Community (2008-present) and the Northeast Modern Language Association (NeMLA, 2019-present). Based on my scholarly studies, my biographical information has taken its place at the Biographical Database of the International Archive of Women in Architecture, a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Tech.

In addition to my scholarly studies and projects in architecture, my another mission is to support creative artistic, cultural events and inclusive approach in architecture, academia and society in various ways: I volunteered for the organization of KidsBuild! held at Boston Society of Architects space (2019), the 25th Harvard Arts First Festival (2017), the Common Boston Festival by Boston Society of Architects Foundation (2017), was a singer at the MIT’s Women Chorale (2006-2007), organized two piano recitals by Gulsin Onay (a world renowned Turkish woman virtuoso in Western classical music and the soloist of the Presidential Symphony in Ankara) at MIT and Harvard University (in collaboration with the MIT-Turkish Student Association and the Harvard-College-Turkish Student Association in 2015), have been playing and singing to support local artists in Cambridge-Boston, and for elders in collaboration with an organization in Boston, and took a part of Mayor Marty Walsh's campaing to support his agenda on equity and inclusion for the social and cultural progress of Boston. I am a member at the MIT’s Women League (2014-present) and Harvard Neighbors (2006-2007; 2017-present).

As a contributor of SAHARA, a digital image archive developed by the Society of Architectural Historians in collaboration with Artstor and funded by the Andrew W. Mellon Foundation, architectural photography is my deep-interest. In addition, I am a fanatic appreciator of some electro/acoustic guitarists and bass players (in jazz, jazz-rock/fusion and progressive rock, like Stanley Clarke, Marcus Miller, Eberhard Weber, Dave Holland, Mike Stern, Kurt Rosenwinkel, John McLaughlin and Robert Fripp), and singing with my acoustic guitar (lead vocal in alternative and folk rock as the rhythm guitar) is one of the deepest ways for me to connect with my inner-self and establish a creative dialog with people.

For any inquiries, please contact me directly.
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Thank you for reading my page;

Meral Ekincioglu, Ph.D.

meral@meralekincioglu.com

meralekincioglu.blogspot.com

(1) My advanced academic research project at the MIT, HTC Program examines the postwar history of Turkish women architects with my specific research problem and is also the first scholarly and advanced study on the early women architects from the Princeton University, School of Architecture (Class of 1970 and 1971). I met those women architects in person, Professor Robert Geddes, the first dean of the Princeton University, School of Architecture and discussed my findings. As those women architects expressed, there is no scholarly study on their career hi/story, and Professor Robert Geddes, the pioneering professor at the SoA to admit early women architecture students told that he does not know any research study on the early women architects from the Princeton University, SoA. (The sound record of my conversation with him is in my personal archive). Following this, I visited Beverly Willis, the founder of Beverly Willis Architecture Foundation (2016) and shared my findings on those women architects. As she expressed, she does not know any research or publication on early women architects from the Princeton University, SoA. When I contacted Professor Mary McLeod, a feminist architecture historian at Columbia University, GSAPP, all architecture historians at the Princeton University, School of Architecture, Monica Ponce de Leon, the woman dean of the Princeton University, School of Architecture, President of Princeton University by e-mail and asked for their scholarly, architectural views or any comments / contributions to my advanced academic research on the early women architects from that school (2015-2016), none of them shared scholarly or architectural research, publication, comments or contributions to this research subject. In addition, I could not reach a study on this subject at the library of the Princeton University, School of Architecture. (2014-2016). In the final of my advanced academic research at the MIT-HTC, I shared my detailed research file to the Head of Program and Rafael Reif, the MIT President, My all presentations as a speaker and an invited speaker (2016-2018) are based on my advanced academic research project at the MIT, HTC Program (2014-2016). The academic sponsor of my advanced academic research project is the MIT, HTC Program and "all rights reserved".

(2) For MIT-Archnet Award, see: https://akpia.mit.edu/blog/archnet-named-one-top-20-architecture-sites-2016, accessed on 1.5.2019

* These short documentary and architectural films were produced by Turkish American TV under the direction of Dr. Hurriyet Aydin Ok. In 2007, Turkish American TV Television received the Community Service Award from the Turkish-American Association of Washington, DC (ATA-DC) and was also awarded by the Community Access Magic (CAM) Awards in the International Category from Prince George's County Community TV (PGCTV)in 2007 and 2008. The most recently, TATV received "Excellence in Media" Award at the 32. Annual National Turkish American Convention organized by the Assembly of Turkish American Association (ATAA), the Federation of Turkish American Associations (FTAA) and Turkish American Cultural Centers (TACC) in 2012.

Significance of the Client and His/Her Changing Characteristics in

Architectural Design Practice History of the Skidmore, Owing and Merrils - New York Office

in the 1960s-the 1970s

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(Scholarly in-depth Research Study by Dr. Ekincioglu at the Columbia University-GSAPP, Ph.D. Program).
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When I was research scholar at the Columbia University, Graduate School of Architecture, Planning and Preservation, Ph.D. Program, I conducted a scholarly research study on theory and modern history of the architecture profession. More specifically, tracing its dual character "as an art and a profession", I examined "the interaction between architectural design practitioner's creativity and large-scale client’s economic and commercial expectation in the private sector".

As a significant case in the field, I scholarly studied architectural design practice history of the SOM-New York Office with an emphasis on large-scale client and his/her changing profiles/characteristics in the private sector in the 1960s-the 1970s in addition to my dissertation research on postwar Turkish architecture. With research support by Professor Kenneth Frampton, Professor Reinhold Martin, Janet Parks (in order to reach a collection on the sociology of the architecture profession, design architect-client interaction, and architectural design practice), and generous architectural support by the SOM New York Office, I studied four specific architectural buildings designed under Gordon Bunshaft’s leadership in the private sector (selection criteria of those four architectural buildings was their historical significance with their architecture design, practice and different large-scale client’s profile/organizational/economic-commercial characteristics in the private sector); examined their architecture (design) "practice" through interaction between design architect’s creativity - large-scale client’s economic or commecial expectations in the private sector. In this respect, relevant Ph.D. dissertations, in-depth scholarly essays by architecture historians, theoreticians, critics, AIA reports and surveys, my appointments with Kenneth Frampton, Reinhold Martin, Mustafa Kemal Abadan, Michael Sorkin, Robert Hillier, William Menkings, Robert Ivy and Suzanne Stephens, my electronic communication with Nicholas Adams helped me to comprehend how to clarify my Ph.D. research problem on “design architect’s creativity and large-scale client’s economic / commercial expectations” through their scholarly, architectural and editorial perspectives and different/multilevel experiences. In parallel to my scholarly research process, I also visited some significant architectural buildings by SOM-NYC Office in NYC, examined characteristics of their spatial organizations, took their architectural photographs, etc. In the end of this Ph.D. dissertation research studies at the Columbia University, GSAPP, Ph.D. Program (after my Ph.D. dissertation research at Harvard University), I could clarified the essential problem, hypothesis, theoretical foundation, research method, case study (Tekeli-Sisa Architecture Partnership in postwar Turkish architecture) of my Ph.D. in the US as my all emails reveal this fact. With this in-depth, advanced and systematic research studies at Harvard, and in particular, Columbia universities, in the US, I began to study on “practice history and theory of Tekeli-Sisa Architecture Partnership in postwar Turkish architecture (as a case study of my Ph.D.) with an emphasis on interaction between design practitioner’s creativity and large-scale clients’ (economic and commercial) expectations in the private sector.

Without generous dissertation research support by Kenneth Frampton, Reinhold Martin, Nicholas Adams and SOM-NYC Office (and my previous independent Ph.D. dissertation research at Harvard University), I could not have clarified all essential principles of my Ph.D. on postwar Turkish architecture with its case study.

With my English dissertation draft (including essential research problem, hypothesis, theoretical studies, method to examine four large-scale architecture buildings designed by Tekeli-Sisa Architecture Partnership, such as Chrysler Truck Assembly Plant; Lassa Tyre Factory; a bank and office building complex in Zincirlikuyu; Metrocity Shopping, Office and Residence Complex, I went back to Istanbul Technical University, and submitted my English Ph.D. dissertation draft to the jury and Tekeli-Sisa Architecture Partnership by emails for the final research study. As the founding partner of this office clearly expressed after my Ph.D. dissertation research in the US, there was no Ph.D. or any other (systematic and in-depth) scholarly research study/essay on “their practice history” with theoretical analysis on architectural design practitioner's creativity and large-scale client’s changing profiles in the private sector.

As Ph.D. jury reports clearly show in Turkey, the jury's decision was a comparative Ph.D. between the US and Turkish architecture although it is highly critical by all professors, architecture historians, critics at Harvard, Columbia universities and in the US.

Following my in-depth and systematic dissertation research studies in the US, I succesfully completed and obtained my Ph.D. (only) on Turkish architecture as all professors highly recommended in the US, and supported my scholarly efforts in many ways.

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All documents and sound records are in my personal archive. Some revelant documents, jury reports, some e-mails were submitted to the Presidency of Republic of Turkey for my copyright and scholarly publications.

International Affiliations

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Massachusetts Institute of Technology
Columbia University
Harvard University

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